forward is a bold and brazen release using a variety of rhythms, the track moves through an epic journey, culminating in a breakdown that simply has been destroying dance floors keeping up the sound of spectrum mission to provide a range of mixes that will keep the most eclectic amongst you happy we see reworks from tony thomas, kids and tracksuits and the on fire (and recently decorated) hexadecimal

finest minimal techno stomper by mark broom & mihalis !! the rhythm will make you move – and not only move, you will dance like there’s no tomorrow. in >congi< the hard bass will strike you again and again. >come down< convinces with a classic minimal tune and a straight unique bass. lovers of >sabbath< – the former cooperation of broom and safras – can be sure, this is a must have

csm is excited to present >dream stealer<, the ambitious new release by john selway and vincenzo ragone. >dream stealer< is techno at its most modern. its deep, involving, and expanding with a steady undercurrent of persuasive energy. joel mull taking a more concise route to the dance floor with his great remix work

"on his first release for karmarouge daniel mehlhart seduces us with his emotional 12&#8243; vinyl ‘am anfang war es minimal’ to dream, dance and love. daniel mehlhart takes us with his impulsive groove on his trip into the darkness of the night, he introduces us to his personal labyrinth of sounds and styles and finally presents us a glance into the bright light of the beginning day"

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

tyree cooper, the house music legend teaming up with rising dutch stars born to funk well, roog and greg hooked it up, and the results are explosive the born to funk boys have revamped an old skool hip hop classic and skilfully turned it into a dance floor monster, entitled sodb

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

the excellent balearica series goes from strength to strength, serving up another awesome collection of rare and in demand party treats from the original ibiza playlist. kicking off with the full 8 min version of love internationals classic followed by more rareness and classic including the highly sought after il veliero which has been played by dj harvey and recently sampled by lindstrom on the contemporary fix, then all the way until jorge bens samba magic, an essential collection

dj fex is an accomplished produced and dj. having released tracks on such labels as serial, brique rouge, hypnotic, dessous, visitor, gourmet or systematic, his reputation is not to be done. as a dj, fex is a resident at mix club in paris and resident of the famous parties kings.fex gives us one of his best work so far, totally in the vein of what he does on his own label robotronic. acid forever is a moody yet obsessive track with a strong melody. its not particulary acid sounding but the vibe is here and it stays forever! on the remix tip, man of the moment tommy four seven, always on top form when it comes to make people dance and mark o’sullivan, half of dk7 with jesper dahlbäck and half of mark & john with his cousin john, member of the swedish mafia, who has recently remixed mike monday and had a release on plastic city lately. overall a strong package of mixes again

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

the original mix is a cool funky vocal affair feat rose marriot on vocals backed with nice drums and percussions the 2 club mixes go the more electro infected way of house

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

nice building techno track (one sided) on this obscure release.. no additional info on the label or artists but its strictly limited to 300 copies. a different version of this 9 minute anthem will have an official release on another label soon. cool record that will kill it on the dance floor and even tho that logo rip-off is very much 90 style its still kind of funny

heavy hitting electrohouse bomb no one will refuse to dance to this beat a must have

support by roger sanchez, mousse t, bob sinclair !! since 1999 the duo of p. brunkow and tim.b have produced with cyber production, paris about 10 eps in a very unique style. an urban kind of house with a tribal and dancefloor feel. their music has been regarded from the start as top quality by many top international producers & dj s from the house and dance scene. their remixes include work for afika bambatta, paul johnson,richard grey & crystal clear, defected uk, and yellorange usa, the former label of house legend tony humphries

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

two huge emotional melodic techno tracks with a little trance feeling by dj preach !! put your hands in the air, close your eyes, and dance !!!

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

der dritte frühling von move d beschert uns eine feingliederige angelegenheit mit ausgetüfteltem oldschool !! tiefer dubbiger minimal / detroit der extraklasse!!

big with john dahlbäck, zoo brazil, thomas schumacher, umek, john acquaviva the spanish-based production kings (cocoon, submission, sadie) and label-owners (sonic society) pig & dan, return to pickadoll with some truly balearic & beautiful techno tunes. the track 88 (make no mistake – this is true dance music!) is a hypnotic journey based upon slightly modulating old-school chords. the combination of rather well known >back in the day< aesthetics and the modern minimal feel make this a truly professional masterpiece. the b-side starts with a dark tekkno monster called >blobz<: arpeggios, stripped-down drumming, reverbs go to make up an unbelievably raw ecstasy music which then develops into a neo trance extravaganza with some highly impressive breakdowns! the last cut >robots< consists of video game sounds, sexy beats and some almost psychedelic guitar-like licks… after-hours madness guaranteed!

in part one of >fuse presents steve bug<, mr. bug presents legendary tracks by derrick may aka rhythim is rhythim, johnny dangerous and mymy !!

>shouts out< is he second release from the dj and producer team stan morane and danny daagard on kingdom kome black. the two produce together since 2002 and can look back on an remarkable amount of releases on different record companies, like ministry of sound, juicy music, groovejet, 1969 recordings, sugaspin, born to dance etc. like the first release >you drive me crazy< >shouts out< assures with a merciless baseline and a pushing beat, that will bring every dancefloor to a boil. first resonances shows that >shouts out< will be a top-level tune

support by deep dish, gabriel & dresden, hernan cattaneo on info side, the most higher climb artists on dj mag poll 06, reaching nº23, the flash brothers with a monster release which is already being strongly played by deep dish, gabriel & dresden, etc. great rockin groove filled with some woodstock vibe vocal ambiences blistering it up to pure dance floor extase. on the logo side, the amazing uk duo montero, they have been releasing on renaissance for a while, and here they bring us a fat tech electro house affair pushing the original to a total different level

hot hit remixes by d.i.m. ,tomas barfod & surkin if you don t understand chromeo it s obvious you are a racist. only racists and deaf people are immune to the montreal duo s funky funk. but because everyone at turbo can both hear... and believes in racial harmony and equality for all. we dig chromeo.... and are proud, nay humbled, to >drop< their first single off the desperately anticipated second album: fancy footwork. what makes this >footwork< so fancy you ask? racist scum... step the fuck off and open your heart to the finest distillation of minneapolis groove since mazarati. the chromeo boys are back in the o-sept to heal the fractured soul of dance music. teenage lovers, 20 something blogpoders, 30 something burn-out ex-raver >graphic designers< and 40 something afro-americans can all finally party under one roof... and that roof has a name, and that roof is on fire, and the only ones who can put out that funk-fire also happen to be the guys the roof is named after: chromeo - going to be huge !!!

originally hailing from halifax, nova scotia, canada, jon dacey a.k.a. dubious began playing in scuzzy lo-fi noise punk bands at age seventeen. an obsession with 4-track cassette recording spawning his initial productions. now residing in toronto, ontario, canada, dubious interests in crazed dance music fuel his dj sets and productions alike. playing everything from drums, guitar, bass and keys, his take on left field disco house production is distinctly his own. dubiouss musical appetites bounce from wild cosmic rock to blazing acid house, he has few boundaries, yet he remains focused on the funk first and foremost.in addition to his debut on bear funk gold he has also produced for deep freeze, truffle, loop: recordings and on prize (the label he founded). theres nothing dubious about this fellas music

martin and his singer jay sebag are back with >rejection<, the last single taken from the >hedonist< album. already a smashing hit in france, >rejection< will be released as a 2 vinyls set on mixture : the mainfloor duties will be covered by the mxt23 (the club mixes), with the original club edit and devastating remixes by bob sinclar, ian carey and ericke, to rock any dance floor !

best l&kp since a long time! real strong peaktime electro dance floor samsh! incl andrea doria and fuchs und horn mixes!

nice price deal !!! passions was formed in the summer of 2006 by ben deitz, after attending a rave in berlin. passions reside in brooklyn, ny, ny. passions has between 2 and 5 members at any given time. while ben deitz is the only band member who will reveal his name and face, each member of passions brings a unique history to the band. from deitzs being mentored by a former member of snap in high school, to other band mate s experiences in the the early 80s la punk scene and practicing chaos magick. all of passions, however, share a love of dance music, from 90s hardcore, to electro-house, to grime and anything in between emergency is a punk electro stormer climbing to the max thanks to a huge funky bassline and addictive vocals sung by star eyes. the reach-for-the-sky construction leaves you no chances. melodic as hell, it will no doubt catch all the ears. passions is what happens when you stop controlling yourself. passions will not protect you from what you want. if you wake up everyday and listen to this song, you will become a millionaire. we guarantee it

teenage bad girl is french duo guillaume manbell & greg kazubski. some say they are a genetic mix of daft punk, aphex twin & the stooges, anyhow they are part of the new french electro nouvelle vague , together with digitalism, kitsuné, justice, para one , modeselektor & a few others, they can blow any dancefloor... if you see them in a club near you, be there ! so far they ve only released one 12inch called hands of a stranger , but it s quickly becoming one of the hottest songs on the dance floor. and they just done a remix for the scissors sisters... teenage bad girl presents here few tracks from their first album cocotte this beautiful picture disc includes 6 dirt-electro tracks & also some remixes from boys noize, yuksek

summer edition !! first summer big room dance house bomb in summer 2007

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

with funky disco house rmx, b1 with a very hi speed trance dance rmx

the djs steel and smith alias andor van reeven and marco pronk earlier did the club encounters project. they have scored various club hits with that one. turn helds two mixes, both with great and catchy vocals from myran.the original mix is an optimistic dance floor oriented electro house tune, with a standout sound riding along on a bouncy beat. the mix by kurtis johnson is a more tech/electro twisted, with the ever so infectious fat sub retro bass line already supported and played by fedde le grand, anthony pappa

john thomas with brill moving funky techhouse, scratching tools, and a cool minimalistic tech funk remix by minibar user cabanne

incl. mixes by jori hulkkonen & crystal bois !! sleazy rave meets killer edit style. for all fans of scandinavian dance music mutants

"nice reminiscent of a classic minimal josh wink !! justified cause’s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause… who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

limited nice price !!!
volume 4 of alexi s already classic sessions series is here! kick off with >wanna be bad?< , sounding like a ride on a slippery escalator alexi builds upon the rubbery groove. a slow story just as the filter tucks and the drums hit the speakers. listen. the track >im tired< resides on the flipside. syncopated dance steps beneath heavy reverbed clave releases the tone. darting between the metallic 303 appearances the tone continues the wobble. more reverb releases hit as the rolling bass alarms the floor. fresh

the vinyl boasts not only a club and radio mix, but also a more stripped down, dark and dirty mix for the more depraved of nightclub moments. hes even thrown in a raunchy a cappella to boot! mind if my friend joins in? is one of the most distinctive records you will hear in 2007 and, whilst it is guaranteed to tear up clubs worldwide, it also manages to push the envelope in a time of exciting change for dance music

on the a side we find the droids do you have the force (parts 1 & 2) which is stunning tongue in cheek theme tune meets the dance floor, whilst on the b side is the undisputed truth s ufos, a good dosage of 1975 psychedelic disco soul

robb scotts third single from his glorious debut album afro odyssey is called revolution (future love) and features the gorgeous miss theasha faison. what a song! this one has it all, funky and catchy rhythms, great vocals and deep lyrics. a true statement towards the so called new world order! to calm things down the beat baron out of the dutch country, kid sublime comes up with a dope and reflective version of revolution. on the flip the great seiji from the mighty bugz in the attic collective turns things upside down and drops nothing less than a futuristic dance masterpiece! blessing us with a fierce vocal and an insane dub version. peace to seiji for those straight up booty bouncing rhythms

excellent remake of the disco diva loleatta holloway dance classic love sensation senor delete brilliantely remade a personal version of the title, adding nice accoustic live instruments, flutes, horns, pianos already supported by the usual big boys dj deep, dj fudge, jamie lewis, dennis ferrer, claude monnet.

first in series,ep one starts out with an edit by darshan jesrani of an 80s disco jam stripped down and reworked for optimum dance floor bounce. path is an obscure break which has become a favorite of danny krivit, xpress 2s diesel and others. side b features an afro disco obscurity called run which has been reworked by kane into an uptempo fela at the disco vibe with heavy reverb kind of in an early idjut/u star vein. the ep closes with um spam. culled from several japanese sources, a sweet balearic vibe pervades throughout the track

tony senghore is no stranger to the world of electronic house music. after countless releases under various monikers including records for paper recordings, music for freaks, underwater and seasons he now graces john dahlbäck s incredibly successful pickadoll imprint with his particular definition of driving & playful dance-floor insanity. way out is based upon a non-stop bass line and perfectly embodies tony s advanced musical temperement by including oriental melodies and fierce efx. careful you don’t lose control on the dancefloor! ‘way off’ on the flipside displays his ability to combine bass-heavy rhythms with simple, keen riffs – but no less mental for it!

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

frederic de carvalho & miss flora are back with new remixes of their famous track on absolut freak records. first one by swedish phenomenon john dahlbäck as huggotron who brings a dirty sound in a terrible freaky version. back side, nicolas chenard gives a top remix in his own style with sci fi influences. then, rock your body to the beat, a new original track by carvalho & flora, calls to dance with a pure clubby and melodic sound.